The video specifically looks at an irish rite known as Imbas forosnai performed by elite seer poets known as Filíd, also the tairbfheis, a rite to determine the High king at the Hill of Tara. In Wales there were the awenyddion and in Scotland they had a pagan rite of prophecy called Taghairm. I also look at several Anglo-Saxon and Norse Icelandic saga sources discussing Ulfhednar, Hammramr, Elves, haunted barrows and seers and compare them with the dreams described by Homer and Pausanias in Ancient Greece.
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Music in order:
Braindead collective - thumb piano shuffle
Baxter Jones - in dreams
Chris Zabriskie - what does anybody know about anything
Borg - Death of Winter
Bark Sound Production - Eld
Stark von Oben - Pan
Myling - Dödskult
Xurious - steppe expansion
Stark von Oben - Daijal
Kevin MacLeod - Moorland
Torulf - Freja
Borg - The Choosing Ceremony
Ormgard - Sjálfsforn
Borg - The May Queen enters the Circle
Kevin MacLeod - Dhaka
Gvashnahr - Through the astral void
Vanguard - A Brighter Dawn
Art by Christian Sloan Hall
Sources:
Chadwick, N., ‘Dreams in Early European Literature’, in: Carney, James, and David Greene (eds), Celtic studies: essays in memory of Angus Matheson 1912–1962, London: Routledge, 1968. 33–50.
Martin Martin A Description of the Western Islands of Scotland (1703)
O Rahilly, T. F., ‘Early irish history and mythology’ (Dublin 1946)
Ramos, Eduardo, ‘The Dreams of a Bear: Animal Traditions in the Old Norse-Icelandic Context’ (2014)
Tendulkar, S. and Dwivedi, R., “Swapna’ in the Indian classics: Mythology or science?” (2010)
Vaschide and H. Piéron, ‘PROPHETIC DREAMS IN GREEK AND ROMAN ANTIQUITY’ (Oxford : 1901)
The Wooing of Emer by Cú Chulainn (Author: [unknown]), p.303 (paragraph 78.)
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